Sina Bathaie, an Iranian-Canadian composer and multi-instrumentalist, has emerged as a significant figure on the global music scene.
Bathaie music
A finalist in the 2023 Johanna Metcalf Performing Arts Prizes, his music has charted 36 times across 25 countries. Bathaie's pioneering blend of traditional Persian instruments with contemporary electronic elements has garnered over 100 million streams worldwide, with the standout track "Breath of Life" accounting for 40 million streams. He is currently captivating audiences with his "Shade of Memory World Tour 2025," showcasing his unique sound in cities like Sydney, Auckland, Dubai, Los Angeles, Copenhagen, Amsterdam, Toronto, and New York, spanning four continents and 21 countries.
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Q: Your track "Tehran" has been making waves in India, reaching #5 on the Electronic charts. What inspired this collaboration with Ben & Vincent and Saba Zameni?
A: The collaboration emerged from our shared vision of bridging cultural sounds. We wanted to create something that would resonate with both Eastern and Western audiences while maintaining authenticity to our roots.
Q: You've had remarkable success in multiple countries. How does it feel to see "Seven Ponds - Live" performing so well in India at #7?
A: It's incredibly humbling. India has such a rich musical heritage, and to see my music connect with listeners there is truly special.
Q: Your musical journey began with the santur under your father's guidance. How does this traditional training influence your electronic productions?
A: My traditional training on the santur under my father's guidance taught me the art of improvisation from a young age. This foundation has deeply shaped my approach to music, especially when creating in the moment during live performances, which I find incredibly fulfilling. Improvisation plays a significant role in my work; many of my songs, like "Seven Ponds" and "Breath of Life," were born from spontaneous creativity. This blend of traditional and modern influences allows me to infuse my electronic productions with a unique, organic touch.
Q: Your latest track "Arrival" has reached #14 on India's Electronic charts. What can your Indian fans expect next?
A:I’m always exploring innovative ways to blend traditional instruments with electronic elements, and the success of tracks like "Arrival" and "Breath of Life" has inspired me to push these boundaries even further. I really hope to be able to perform in india soon.
Q:You are currently on an extensive world tour, "Shade of Memory," covering over 21 countries across four continents. I've noticed that India is not included in the tour schedule. When can your fans in India expect to see you perform?
A:India is definitely one of the countries I would personally love to visit and perform in. Unfortunately, we weren't able to include it in this year's tour. However, I am hopeful that next year we'll be able to bring our music to India and meet our fans there!
Q: Your music often blends improvisation with electronic production. How do you balance spontaneity with the structured nature of studio work?
A: Improvisation is the heart and soul of my live performances, allowing me to connect deeply with the audience and create unique, unrepeatable moments on stage. It’s a way of channeling raw emotion and inspiration in real-time, which keeps the energy dynamic and authentic.
In the studio, however, the process becomes more structured as I work to refine these spontaneous ideas into cohesive compositions. While improvisation often sparks the initial concepts for my tracks, the studio allows me to build layers, experiment with textures, and create a polished final piece that captures the essence of those live moments.
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