On Gundappa Vishwanath's birthday, we turn back the clock to showcase an emotional tribute to the former Indian captain by Bollywood actor Tom Alter, which he wrote after the Indian cricket legend's retirement in 1988 in a sports magazine 'Sportsweek Lifestyle'
Gundappa Viswanath
What will we say, then, when our grandchildren ask us, bats in small hands, as we sit, leaving through Wisden, settled before the fire — "Grandpa, did you really see Vishwanath play? Was his square-cut really such a wonderful shot? Was he as good as Gavaskar?" What will we say, looking down into those excited faces, just as our grandfathers looked down when we asked of Mushtaq Ali and Lala? What will we say of G R Vishwanath, of "young Vishwanath", of a man and a player whom Wisden could never capture with a thousand pages of statistics?
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Gundappa Viswanath. Pic/ Midday archives
Will we pause for a moment, then clear our throats, then pause again, searching for words? Will we close our eyes and possibly check a tear or two and remember warmly and well? And then say, quitely. "Yes, l saw him play. And, yes, his square-cut was a wonderful, wonderful shot. And, yes again, he was as good as Gavaskar." And then the children will scamper off into the garden, or down the lane or onto the ground, to get in a few more minutes of play before the light goes out of the day.
But what will we have said, then, of Vishwanath? We would have spoken a few words, all quite true, and made our grandchildren happy. But after they have gone running off, and we are alone again, we will close Wisden, and ask for another cup of tea, and, to ourselves, really speak of Vishwanath.
“Yes, we saw him play. We saw him square-cutting Arnold and Cotlam again and again on a December day in Delhi, and Barry Wood dived and sprawled left and right at point, until finally Vishy got one by, and it was a battle well won. And we saw him coming out to field, short and almost rolly-polly, and then he would always run briskly from one wicket to another, whereupon he would settle down at slip next to Gavaskar, his days exertions done.
And people always talk of his square-cut. But the flick to leg or the on-drive to the overpitched ball, and wrists and timing with the minimum of movement of the feet, was so clean and precise and sure, defying even Gibbs' leg-trap, that the shot seemed to be charted by some instinctive compass in Vishy’s mind.
And at the crease, having just whacked Roberts for four, Vishy would walk quietly a few steps down the pitch, pat gently some offending spot, and then return to his position, never raising his head, as if to suggest that those four runs were part of a natural process in which pride or swagger played no part. And then he would touch the peak of his cap, give a tug at the top of each pad, mark his guard for the hundredth time, and then, almost shyly, look up at the bowler.
He used the bat as a rapier with which he would thrust and parry, and the stroke was always quick and sure and deadly, and yet it never seemed to draw blood or hack and saw cruelly. And because he enjoyed so much the thrust of blade, he often let the pleasure overcome the science of the game. And thus his number of centuries and batting average, although still very impressive as statistics, could never bring into a painting of Vishwanath's batting all the hues and colours of his art.
And how he could play in a crisis, especially against fast bowling! The '74-'75 series against Lloyd‘s West Indians, and Roberts on the rampage, and Vishy slicing him away. And one very early morning in '76, with the Indian team in the West indies and needing 404 to win in the second innings, and all of us sitting out on the balcony with our transistors on, and Holding bowling to Vishwanath, and across the thousands of miles comes the clean, hard sound of bat square-cutting ball to the cover fence. We knew then, hearing that perfect sound, that India would win.
And, then, can you compare Gavaskar and Vishwanath? Can you compare Rafi and Talat Mahmood? Laurence Olivier and Peter O'Toole? Greatness can be measured by runs and records, and Gavaskar was great, like Vishwanath, in more ways than facts and figures can tell. But facts and figures do tell the major story of S M Gavaskar, and it is a magnificent story. Like a James Michener novel, where everything is bigger than life and full of ambition and meaning and purpose. G R Vishwanath is more like Graham Greene; pages of lyrical prose, with a hint of introspection and an air of slight fragility.
And with a sudden jerk, we stop ourselves, for flÂÂÂu00c2u0082ights of fancy are soaring higher and higher, and it is dark now outside, and the grand- children are back, and the TV is on, and a very modern brand of cricket is being played on a synthetic pitch with electronic umpies and special machines which automatically light up if the ball has touched the bat. Yet two players are shouting in protest, and the grandchildren leap about in delight at the altercation.
We call one of them aside, one of the quieter ones, and tell him. "Did you know that Vishwanath, captaining lndia, once called a batsman back after an umpire gave him out? And that that batsman went on to win the Test match for his team? And that Vishwanath, when asked about the incident many years later, said he had absolutely no regrets?" And the child is puzzled, and yet impressed, by such strange behaviour. "Yes", we will go on, "and Vishwanath always walked when he knew he was out, and never argued with an umpire. Once, just once, in what was probably his final innings as a Test player, when in Pakistan he was given out lbw to Sarfraz Nawaz on a ball going well down the legside, did Vishy look at the umpire for one very meaningful second. And then he was gone, never to play for lndla again.
"And how sad it was that nobody took up his cause, that nobody clamoured for Vishy to come back, even when players with half of his talent and none of his art batted for lndia. How his heart must have ached and broken. But he never spoke a word, accepting the selectors’ strange decision just as he had accepted so many strange decisions of so many umpires. He played on for his state, Karnataka, until the sadness in his heart became too heavy to bear, and he moved aside for younger men.
“He left, so gently and humbly and shyly that we hardly knew he was gone. And then we, the cricket lovers of lndia and the world, spoke and wrote, too late, of his greatness.
"But you know, what we really wanted to tell Vishy way back then, and probably couldn't because never demanded or sought praise, is that he meant more to us, and we loved him more than all the players who strutted and strode and swung and swore. We wanted to tell him that in our hearts he had the highest average of all."
And now the grandchildren are asleep, tired from their games. We, too, will sleep, and in our dreams we will be young again, and Vishwanath, forever young, will be batting on and on, the perfect echoes of his shots drifting away across the timeless years.
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