Writing that binds

An exhibition of Indo-Iranian calligraphy celebrates the similarities between the two cultures

Calligraphy has been central to Iran's cultural identity. Handwritten, poetic works by Shahnameh, Hafez and Khayan, as well as the Holy Quran are revered for the artistic value they hold. The country also boasts of a distinct collection of calligraphic styles such as Kufic, Taliq, Naskh, Req and Shekasteh. The art form also blends with Iranian painting through the form of Naqashi-Khat.

But India is no stranger to calligraphy either and its history can be traced back to the 2nd century AD when Indic language was transferred on birch bark. And this week, Indian artists delving into Islamic art come together for the first time to showcase their calligraphic work at the Culture House of the Islamic Republic of Iran in the city. Titled Iran-Indo Art & Calligraphy Exchange, the exhibition was inaugurated on Monday by Iranian Consul General Abulfazl Mohammad Alikhani. Participating artists include Gori Yusef Husen, Shipra Malhotra and Shamma Rizvi. While Husen, originally from Gujarat, has worked with the Kufic script, Malhotra and Rizvi have delved into 15 fonts in Hindi and English.

Shipra Malhotra

Concentrating on materials like paper and leather, self-taught artist Husen has also exhibited in Iran. City-based Malhotra and Rizvi's work also spans mediums — from burnt and sand paper to brocade. Having conducted calligraphy classes in schools across India, Malhotra has also put up a display of students' works on the theme. Books and writing tools can also be spotted. She says, "During the inauguration, the consul general remarked that there are no borders between the two countries as Persian art proves to be a beautiful connection. This, in a way, is international exposure for us. Calligraphy is a dying art and we're trying to revive it."

Till February 21, 10 am to 5 pm
At Culture House of the IR of Iran, Netaji Subhash Chandra Bose Road, Marine Drive.
Call 22026639
Free

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