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Home > Entertainment News > Hollywood News > Article > Writer director Paul Schrader calls out Joker Folie a Deux It is a really bad musical

Writer-director Paul Schrader calls out Joker Folie a Deux: ‘It is a really bad musical’

Updated on: 17 October,2024 07:47 AM IST  |  Mumbai
Agencies |

Writer-director Paul Schrader calls out the Joaquin Phoenix and Lady Gaga-starrer Joker: Folie à Deux

Writer-director Paul Schrader calls out Joker Folie a Deux: ‘It is a really bad musical’

Joker: Folie a Deux

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Hollywood writer-director Paul Schrader says he couldn’t survive Joker: Folie à Deux for more than 20 minutes. The Taxi Driver (1976) scriptwriter said the sequel, starring Joaquin Phoenix and Lady Gaga, directed by Todd Phillips, was a really bad musical. The film, a sequel to the 2019 movie, has received negative reviews and stands to lose between USD 150 million to USD 200 million at the box office, according to reports.



Schrader’s Taxi Driver reportedly served as an inspiration for the first part of the movie, based on the eponymous DC Comics villain. When Jeremy O Harris asked what he had seen recently, the filmmaker said, “I see who’s coming up. I go to the multiplex. I saw Joker: Folie à Deux. I saw about 10 or 15 minutes of it. I left, bought something, came back, saw another 10 minutes. That was enough.”


Schrader once again recalled his experience of Joker 2 when Harris proclaimed that he loved musicals. “Well, that’s what Joker is, kind of. It’s a really bad musical,” the writer-director replied. When asked what made the film so bad for Schrader, the director replied, “I don’t like either of those people. I don’t like them as actors. I don’t like them as characters. I don’t like the whole thing. I mean, those are people who, if they came to your house, you’d slip out the back door.”

There was a lot of buzz around Joker: Folie à Deux due to the massive business the previous film had done by earning USD 1 billion at the box office. It also won Phoenix the Oscar for best actor but the sequel received negative reviews right after its world première at the Venice Film Festival. The sequel also opened to a dismal USD 37 million at the ticket window.

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