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Home > Entertainment News > Bollywood News > Article > 11 Years of Bhaag Milkha Bhaag How Farhan Akhtar proved his mettle as an actor with this film

11 Years of Bhaag Milkha Bhaag: How Farhan Akhtar proved his mettle as an actor with this film

Updated on: 12 July,2024 05:43 PM IST  |  Mumbai
mid-day online correspondent |

Farhan Akhtar’s transformation into Milkha Singh was physical and deeply psychological. He trained under professional athletes and underwent a grueling fitness regime

11 Years of Bhaag Milkha Bhaag: How Farhan Akhtar proved his mettle as an actor with this film

Farhan Akhtar in Bhaag Milkha Bhaag

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It has been 11 years since Farhan Akhtar brought to life the legendary story of Milkha Singh in 'Bhaag Milkha Bhaag.' This film not only marked a significant milestone in Indian cinema but also solidified Farhan Akhtar's position as one of the finest actors in the industry. His dedication and attention to detail in portraying Milkha Singh, also known as the 'Flying Sikh', have set a benchmark for biographical films.


While nothing has been officially announced, it is known that he shall soon venture into his upcoming project but the details about the same have yet to be revealed. Let’s delve into what makes Farhan Akhtar’s performance in Bhaag Milkha Bhaag a benchmark performance in biographical cinema.  



Seamless Transition: Embodying Real-Life Milkha Singh on Celluloid


Farhan Akhtar’s transformation into Milkha Singh was physical and deeply psychological. In media interviews, Farhan has also shared how he meticulously worked on every detail to embody the character entirely. From hair and look to mannerisms and speech, Farhan underwent a significant transformation, adopting the athlete's iconic look. The resemblance was uncanny, and it was clear that Farhan had immersed himself completely in the character. 

Mannerisms and Speech

He didn't stop at just the physical appearance. Farhan studied Milkha Singh’s mannerisms, the way he moved,  his unique style of running. He also worked on his speech and dialect, spending time with real-life Milkha Singh to understand his way of speaking and his Punjabi accent. This dedication to capturing the nuances of real-life character made his portrayal authentic and believable. 

Convincing Performance

Farhan’s performance in Bhaag Milkha Bhaag was not just acting; it was an emotional journey that he invited the audience to join. His portrayal of Milkha Singh’s life—from his traumatic childhood to becoming a national hero—was filled with raw emotion and authenticity. 

Authentic Portrayal

Farhan’s ability to convey the internal struggles and triumphs of Milkha Singh made the character come alive on screen. He wasn’t just playing a role; he was living in it. This level of commitment made the audience believe that Farhan was indeed Milkha Singh, a testament to his acting prowess.

 Impactful Screen Presence: Commanding Attention

Farhan Akhtar’s screen presence in Bhaag Milkha Bhaag was magnetic. Every scene he was in, he commanded attention, not through force but through a quiet intensity that drew viewers in. Whether it was a high-energy race or a quiet moment of introspection, Farhan’s performance was consistently compelling.

Incredible Physical Transformation: A Testament to Dedication

One of the most talked-about aspects of Farhan’s role in "Bhaag Milkha Bhaag" was his physical transformation. Farhan underwent rigorous training to develop the physique of an athlete, a process that involved intense workouts and strict dietary changes.

Training Regime

He trained under professional athletes and underwent a grueling fitness regime to build muscle and stamina. This transformation was crucial for the role, as it made him look the part and enabled him to perform the demanding athletic scenes with authenticity.

Commitment to the Role

Farhan’s dedication to transforming his body clearly indicated his commitment to the role. He didn’t just want to play Milkha Singh; he wanted to become Milkha Singh, and his physical transformation was a vital part of this process.

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