Aishwarya Rai Bachchan’s sister-in-law, Shrima Rai, couldn't resist dressing up in the Heeramandi style, and her photos are absolutely breathtaking
Shrima Rai
Sanjay Leela Bhansali’s first web series, 'Heeramandi: The Diamond Bazaar,' is now on Netflix. The show is filled with stunning sets, beautiful songs, and exquisite costumes and jewelry, all showcasing Bhansali’s signature style.
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Aishwarya Rai Bachchan's sister-in-law stuns in viral recreation
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Like many others who are recreating its songs and dance sequences, Aishwarya Rai Bachchan’s sister-in-law, Shrima Rai, couldn't resist dressing up in the Heeramandi style, and her photos are absolutely breathtaking.
Shrima Rai wrote, "What would you name my character?” while sharing her recreation.
“I personally loved Heeramandi on Netflix and I am looking forward to the next season. My favourite character was Bibbijaan by Aditi Rao Hydari and uff the Queen Manisha Koirala,” she further penned.
About the fashion in 'Heeramandi'
Sanjay Leela Bhansali is known for the opulence and grandeur he portrays on screen. His latest venture, Heeramandi: The Diamond Bazaar, brought out the very best from renowned designers Rimple and Harpreet. Having previously worked together on Padmavat and created magic, they truly are the dream team.
Recently, Rimple and Harpreet have been dissecting the various looks from Heeramandi. One of the characters who had a big impact on the audience was Richa Chadha as Lajjo. She especially left an impression with a heartbreaking dance number 'Masoom Dil Hai Mera'. It's only fitting that we get into the details of this ensemble.
The designer duo labelled this look, "Ensnared by the coils of the most vicious malady- Unrequited Love, Lajwanti (Lajjo) @therichachadha , Mallikajaan’s foster daughter dances her swan song before her untimely demise."
Explaining the ensemble, the caption read, "She (Richa) wears a deep blue French chiffon kalidar paired with an earthy red silk coaty (gilet), a rust brocade pyjami and a gold hued jaali dupatta for her finale mujra. We chose this particular shade of ultramarine blue (which we had to ultimately paint by hand to get the cloudy tone right) as we intuitively felt that it resonated with the intense pathos of the state of her opium infused delusions and the ill-fated end of the character’s narrative arc as well as how the colour would blend in and also contrast with the earthy green tones of Nawab Zoravar’s European inspired ballroom which was the setting for this spectacle of a lovelorn dance performance (sic.)"
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