All We Imagine as LightA: DramaDir: Payal KapadiaCast: Kani Kusruti, Divya Prabha, Chhaya Kadam, Hridhu HaroonRating: 4/5 It’s coincidental that I started writing this review of All We Imagine as Light while on the coastal road, which now offers us a clear glimpse of Haji Ali. Almost 12 years ago, on my first day in the city, this was the first picture I clicked, with the sun setting behind the dargah. Then it is almost befitting that I am staring at the same view, so many years later as I am writing the review of the most honest portrayal of Mumbai in a film. All We Imagine as Light (AWIAL) might be a story of women finding their own in a space that feels free, but before that, director Payal Kapadia weaves this as a love letter to Mumbai. The film captures the cruel and compassionate side of the city, with all the chaos of what it entails to live here. Moving between the depiction of loneliness, desire, alienation, and cultural identity, AWIAL makes you come alive in a way cinema must. Kapadia’s story follows three women and celebrates how female friendships are designed to save us from the relentless blows of patriarchy. Prabha (played perfectly by Kani Kusruti) is a reflection of silence and loneliness. She yearns for a life that she had to forgo and seeks refuge in the breathlessness of Mumbai. Her marriage is a memory that is growing fainter with time after her husband left her to go to Germany in pursuit of bigger dreams. But Prabha doesn’t allow herself to seek something new. Sharing her physical space is Anu (a feisty Divya Prabha) brimming with the recklessness of youth. She’s in a clandestine relationship with Shiaz, a Muslim boy, lavishing time and her modest earnings on their fleeting moments together. In their equation lies the juxtaposition of our past and present—Prabha is shackled by her history, while Anu lives for the now. It’s enchanting how Kapadia captures Anu’s defiance against tradition from the gaze of Prabha’s envy. Thrown into this mix is Parvaty (a robust Chhaya Kadam), the eldest among the trio, who faces displacement as slum clearances threaten her out of her home. I couldn’t help wonder—can we ever make a Mumbai story without reflecting housing troubles and urban inequity? What you love about Kapadia’s storytelling is that she refuses to define the relationships of her characters. Two contrasting emotions walk hand-in-hand. There is so much happening in the film; the canvas is vast, and Kapadia’s insightful storytelling had to be played with nuance. Her actors step up and show us the most wholesome depiction of womanhood. I particularly enjoyed how Kapadia makes one story flow into the other, telling audiences that experiences of women are universal, regardless of where they come from. When Parvaty decides to return to her coastal village, Prabha and Anu help her leave. And that’s where Kapadia’s story changes tone with hints of magic realism. The story moves from being an incisive commentary to a meditative study on memory, loss, and transcendence, reminiscent of the works of Satyajit Ray. The filmmaker handles these different tonal shifts seamlessly. Visually, the film is a masterpiece of art direction—from the melancholic blues of Mumbai to the earthy tones of rural settings—she craftily uses light and shadow. The sound too has a dreamlike quality. It’s a sumptuous film tackling heavy subjects. But Kapadia makes it a personal telling of the subtleties of human experience. The film’s strength lies in its ability to juxtapose the tangible with the transcendent and personal with the universal. I often ask filmmakers—what is that one core reason you decided to make this film? Kapadia’s answer is in her title—to find some light despite the darkness.
23 November,2024 07:36 AM IST | Mumbai | Mohar BasuFilm: I Want To TalkU/A: Family dramaDir: Shoojit SircarCast: Abhishek Bachchan, Ahilya BamrooRating: 3/5 I Want To Talk (IWTT) is an American film. For the setting, first, of course. That is, an idyllic smallish town (perhaps City of Hemet, in California). Wherein the middle-aged lead, Arjun Sen, resides. Living the so-called great American professional, consumerist, expatriate, suburban dream. Sen, of course, is Bengali by origin. He’s the typical IIT-IIM high-potential, go-getter, who would’ve moved to the US, I’m guessing, around mid-to-late ’90s, or early 2000s—during the high-noon of high-income group, Y2K, young desi migration into America, as it were. They collectively assimilated so seamlessly into upper echelons of society a generation later, that a film about them can be easily viewed as an out-and-out American movie, in 2024. Rather than a niche flick on the Indian diaspora. Which was more the case in the ’90s, if you recall those ABCD (American Born Confused Desi) pictures. That said, IWTT is a Shoojit Sircar film. Sircar, 57, being the rare auteur who, upon success, hasn’t lost his voice to the mundaneness of the bloated, screechy mainstream, where he unabashedly operates in; but on his own terms. Whether working with leading film stars, Amitabh Bachchan, Deepika Padukone (Piku), Varun Dhawan (October), or even achieving/aiming for theatrical gold, say, Madras Café (2013), Vicky Donor (2012). That voice is chiefly simple, unpretentious, gentle, genteel; borderline ‘bhadralok’, in this case. Given the Bong protagonist who, on the face of it, possesses qualities most opposite to the obviously heroic. The hero is perennially sick, hence frail. He’s single, from a marriage that’s failed. And while he was once a clever go-getter, professionally, one can’t imagine him going too far on that front either, when he’s been through countless surgeries, over multiple years, after being first diagnosed with laryngeal cancer, supposedly left with 100 days to go. In super-hero movie terms, this guy is kinda far-off equivalent of Samuel Jackson from M Night Shyamalan’s Unbreakable (2000)—tearing into parts, but resilient; fragile, but holding up; battered, beaten, bruised, but functional. What adds to the subversion is the film, written by Ritesh Shah (Pink, Sardar Udham), is based on a true story. Making the lead even less likely for a Bollywood biopic, that usually chronicles larger-than-life heavy hitters. The greatest thing about Arjun Sen is he’s a fine father. That should be good enough. Not instantly so in the movies, though. Actor Abhishek Bachchan plays this Bong Arjun. Abhishek is half-Bong himself (mother: Jaya Bhaduri). But that’s not a card he overplays for the part. In fact, and you could credit him for this, throughout, as a performer (in general)—he doesn’t overplay. Period. He shows up, instead of insecurely showing off. Keeping it quiet and simple. Like the film itself, that sails on the music of Arunachali composer Taba Chake for an emotional tug or two. This also helps Abhishek jam with co-actors with relative ease. He’s got that going here with on-screen daughter—teen debutant, Ahilya Bamroo, who I recognised straightaway, from Instagram. I’ve been a fan of her reels/posts, mimicking global accents, for long. I don’t know if that’s where she got cast from. This is the best crossover between popular cinema and social media since, well, I don’t know—mostly trash get picked from among YouTube/Insta influenza. Is IWTT about this father-daughter relationship? Somewhat, yes, although you wish it hit deeper—like those fully realised melancholic scenes between the Bengali father, Irrfan, and his boy, in The Namesake (2006). Hard to tell why. Maybe because this is ‘Piku’ Sircar’s film. Can’t help but think Irrfan. The movie isn’t so much about suffering as survival, really—for a man who’s tricked his brain into believing that he can physically overcome. How else do you explain someone moving from surgery, radiotherapy, chemotherapy, heart attack… Medicine is not an exact science. Most champions beat diseases, by their sheer zeal to live. Although surgeries, as per a beautiful line here, is like sudden death in football: the doctor scores, you win. All said, IWTT is a film then about life itself. Its randomness, to start with. As you observe a perfectly fine gent—maybe the hyper-ambitious Abhishek from that movie, Om Jai Jagadish (2002), who moved to the US, found all that he wanted—but got hit by an accident called health, that nobody can anticipate. He punts, on himself, still—all along going through a physical transformation; staying mentally stable. The only person who takes surgeries as lightly is usually a surgeon (charming Jayant Kripalani). This can’t be easy. But shouldn’t it be? For, what’s life if not a terminal illness in itself. We’re all gonna die, anyway. Guess we live, until then; no? Maybe that’s the only point/purpose there is. Is there a deeply spiritual side to this pic’s protagonist—does he pray, meditate; is he agnostic, existentialist, atheist…? Does he feel lonely? I couldn’t glean, right away. He’s certainly not much of a self-help quote-meister, which is a relief. I watched IWTT at a preview screening, almost a week before its release. Which tells you how confident the filmmakers are of what they’ve made. And, no, they’re anything but delulu. It’s just a movie, initially low on energy, that gently grows on you, post-interval, when the penny drops. Felt like watching it again while writing this. Surely, there’s another layer to peel. Will wait for it to drop on OTT (Prime Video). Until then, may I generously guide you to a theatre, where it’s playing near you.
23 November,2024 07:31 AM IST | Mumbai | Mayank ShekharRussell seeks Aamir, SRK? Hollywood filmmaker Chuck Russell, best known for hits like The Mask (1994) and The Scorpion King (2002), has already tried his hand at directing a Hindi film, and now aspires to collaborate with Bollywood superstars Aamir Khan and Shah Rukh Khan. Russell ventured into Indian cinema with the 2019 movie, Junglee, starring Vidyut Jammwal and Akshay Oberoi. “I’ve been wanting to work with Aamir Khan before. He knows it; I’ve visited him. And Shah Rukh Khan [too]. I like to work with different cultures and talent that is new to me. All of India is new to me,” Russell told PTI in an interview. Speaking on the sidelines of a masterclass at Film Bazaar 2024, Russell said he “liked RRR” and found it “really cool”.
23 November,2024 07:15 AM IST | Mumbai | The Hitlist TeamTouted as one of the highest-paid actors in Marathi cinema, Amruta Khanvilkar celebrates her birthday on November 23. After garnering a colossal amount of recognition for her stint in the iconic dance numbers ‘Aye Hip Hopper’ and ‘Wajale Ki Bara’, Amruta took over the screen space with her performances in movies like ‘Raazi’, ‘Malang’, and web series such as ‘Lootere’ and ‘36 Days’. On her special day, she speaks exclusively to mid-day.com about her recent health scare, career challenges, plans for the upcoming year, and more. The past year was difficult for Amruta Khanvilkar Amruta reveals that she and her mother both underwent surgeries which was extremely taxing yet humbling. “We came out of it like warriors and to see my mother in the ICU, stitches on her chest, it made me feel very vulnerable. It made me feel helpless, but at the same time, I was extremely grateful to God,” she says. The actor believes the health scare also made her realise that she needs to slow down. “No matter how much I work, how much I’m busy, how much money anybody makes, I think it all is worthless if you’re near and dear ones have to go through something like this,” she adds. Amruta Khanvilkar shares her birthday plans The actor is currently working on a project, she can’t reveal and will celebrate her birthday on set. She also wants to gift herself a farmhouse with a pool. She’s also thankful about being able to buy a new house and will be moving in by the end of this year. Going forward, she also intends to be calmer and peaceful mentally. “Sometimes old patterns bounce back and they are very dangerous, so I want to change that and I am working towards it.” Amruta Khanvilkar manifests working with Bhansali, KJo Despite her fame, Amruta maintains that the biggest challenge in her career has been about waiting for the right opportunity. She doesn’t believe in dream projects but in dream directors. “I would really want to work with Sanjay Leela Bhansali and Karan Johar. I would like to do an international film. There are a lot of these dreams that I feel will be fulfilled in the coming years,” she states.
23 November,2024 07:04 AM IST | Mumbai | Oshin FernandesDiljit Dosanjh has been making news for the India tour of his Dil-Luminati tour. While the tickets for the concert were sold out faster than hot cakes, he recently also made headlines for the censorship of his songs. It began when he received a notice from the Telangana government ahead of his Hyderabad concert directing him to not sing songs promoting alcohol, violence and drugs. The singer adhered to the instruction and tweaked words from some of his songs. He addressed the matter during his Ahmedabad concert which was held after the Hyderabad concert. At the concert, he batted for all and every alcohol shops to shut down. He also said that he has 2-4 songs with mentions of alcohol and has also produced devotional songs which no one talks about. The singer once again addressed the matter of censorship during his concert in Lucknow today. View this post on Instagram A post shared by DILJIT DOSANJH (@diljitdosanjh) Diljit Dosanjh reacts to challenge by news anchor In an video posted on his Instagram handle, Diljit is seen addressing his audience at the concert. "Kaafi dino se media mai baatein chal rahi hai ki Diljit vs this and that. Mai clear karna chahta hu ki Diljit vs kuch nahi hai. Mai sabse bahut yaar karta hu. Mera kisi ke saath muqabla hnahi hai. (From the past few days, the media has been saying 'Diljit vs this and that. I would like to clear that there is no competition with anyone. I only have love for all)," he said. He further spoke about a TV news anchor who allegedly posed him a challenge on national television. "Ek anchor saab hai TV par. Unke baare mai zaroor baat karna chahte hu. Wo parso meko challenge de rahe the ki Diljit sharaab ke bina gaana hit karke dikhaye. For your kind information sir- Born To Shine, GOAT, Lover, Kini Kini. Naina in Bollywood, mere bahut saare gaane hai jo Patiala Peg se jyada stream karte hai Spotify par. Toh aapka challenge hai woh already bekaar ho gaya hai. (There is an anchor on TV who challenged me to make a hit song without mentioning alcohol. I have many songs that stream more than Patiala Peg on Spotify. So this challenge does not hold)," he said at the Lucknown leg of the Dil-Luminati tour. Diljit bats for same censorship for movies and songs He said, "Main apne gaano aur apne aap ko defend nahi kar raha. Agar aap censorship lagana chahte ho gaano par, toh woh bhartiya cinema par bhi hona chahiye. Bhartiya cinema mai jitne badi gun ,utna bada hero. Kaunsa bada actor hai jisne sharaab ka scene ya gaana nahi kiya ho?" Jiss din waha censorship laga ye, mai band kardunga ussi din," he said adding, "Kalakaar aapko soft target lagta hai isliye aap unko cheddte ho. FYI, maine jo filmein ki hai unko National Award bhi mila hai. Humara kaam sasta kaam nahi hai. (I will stop the day censorship is applied in movies. Artists are soft targets and hence you play with them. I have also done films which have won National Awards)." Diljit added that the news anchor spread fake news about him but he is not angry. "Ye aapki zimmedari hai ki aap sahi news failaaye. Toh mai bhi aapko challenge karta hu ki sahi news dikhaye," he concluded challenging the news anchor.
22 November,2024 10:40 PM IST | Mumbai | mid-day online correspondentA year ago, Vidhu Vinod Chopra had to submit his hit emotional drama 12th Fail independently for the 2024 Oscars as India chose Malayalam survival thriller 2018 as its official entry for the best international film category at the Academy Awards. Today, during a masterclass at the ongoing International Film Festival of India (IFFI), Chopra claimed that many artistes, including those working in Hollywood, preferred his directorial venture over filmmaker Jude Anthany Joseph's film as India's Oscar entry. "Can I tell you one thing in return that so many people have told me, including people in Hollywood, that 12th Fail should have represented India at Oscars not whatever went," the filmmaker said. He further asked the audience if they agree with him. "Say yes or no, do I care? What I care for is did I make a good film or not. So please don't give so much importance (to awards). Awards are people outside of (the industry) who are acknowledging you for God knows what reasons. So please don't bother,” he said. Not just Oscars, Chopra also believes even back home, National Awards shouldn't be taken too seriously. As he spoke about his 1989 acclaimed drama thriller, Parinda, someone in the audience asked, "Why thrillers don't get National Award?" To which the the filmmaker replied, "You are giving too much importance to the National Awards."
22 November,2024 09:26 PM IST | MumbaiBollywood star Ajay Devgn on Friday completed 33 years of being an actor in the film industry. The actor made his debut with the film 'Phool Aur Kaante'. Taking to Instagram, Ajay penned a note filled with nostalgia. Sharing a miniature replicating his iconic entry in the film, Ajay Devgn revealed that it his favourite but also finds it scary. Ajay Devgn celebrates 33 years of Phool Aur Kaante Sharing a video of the miniature which is flanked by plastic flowers and a cactus, Ajay Devgn wrote, "From the entry in Phool aur Kaante (my fav but scary) to everything I stand for today, this journey has been nothing short of extraordinary. For every clap, cheer and moments full of love, thank you always #33Years." View this post on Instagram A post shared by Ajay Devgn (@ajaydevgn) Released in 1991, 'Phool Aur Kante' also featured Madhoo, Aruna Irani, Jagdeep and Amrish Puri. Kuku Kohli directed it. Ajay has since created a special place for himself as an actor as well as a director. Ajay Devgn's work front Most recently he was seen in Rohit Shetty's directorial 'Singham Again', which has been performing exceptionally well at the box office. In the film, he reprised the role of police officer Bajirao Singham whom he first essayed in the first part in 2011 and then again in 2014 in the second instalment of the 'Singham' franchise. Ajay in a candid conversation with ANI expressed gratitude to the audience and also talked about how the 'Singham' franchise changed the narrative around police portrayals in Bollywood films."I am thankful to the audience for giving us so much love. For a long time, the police were always shown in a negative light in films. Singham as well as Gangaajal was one of the first films that showed how an ideal police officer should be. After that, it became a trend of making positive films about police," Ajay emphasized. Singham Again also stars Kareena Kapoor Khan, Akshay Kumar, Tiger Shroff, Ranveer Singh, and Deepika Padukone, among others. It was released in theatres on Diwali, facing a clash with Kartik Aaryan-starrer 'Bhool Bhulaiyaa 3'. On the other hand, Ajay's film 'Naam' directed by Anees Bazmee was released in theatres today. The film was shot almost two decades ago. But due to various factors the film was never released.
22 November,2024 08:57 PM IST | Mumbai | mid-day online correspondentThe mad, mad world of the blockbuster comedy, Bhagam Bhag, is set to return. 18 years after it wowed audiences all over, the much-awaited sequel, Bhagam Bhag 2, is finally happening. For all the die-hard fans of the film, which has attained cult status over the years, thanks to the Internet and social media, this news is nothing short of a celebration. Starring Akshay Kumar, Govinda and Paresh Rawal in lead roles, Bhagam Bhag is considered as one of ace director Priyadarshan’s iconic films. Even in Akshay’s vast repertoire, Bhagam Bhag holds a very special position along with landmark films like Hera Pheri and Welcome. Bhagam Bhag 2 is happening! The rights for the sequel were recently acquired from Shemaroo Entertainment by Sarita Ashwin Varde of Roaring River Productions who has simultaneously also been working on the film’s script. She will be producing the film along with Shemaroo. Why did it take so long for the sequel? “Because a special film like Bhagam Bhag deserves a sequel that’s just as much special; when the time was right, we decided to take the plunge,” says Sarita. Incidentally, Sarita has been associated with filmdom for long now. She has been the creative force behind her husband, Ashwin Varde, who is also a producer with films like Boss, Mubarakan, Kabir Singh, OMG-2 and Khel Khel Mein to his credit. “We are excited to partner with an incredible team to create a film that will continue the legacy of its predecessor by bringing more laughter, fun and entertainment,” says Hiren Gada, CEO, Shemaroo Entertainment. Bhagam Bhag 2 latest update Currently in the final stages of writing, Bhagam Bhag 2 is slated to go on floors in mid 2025. Right now, all that the makers promise is that the sequel will be “madder, crazier and funnier.” All other details will be revealed soon when the film is officially announced. While the first film was directed by Priyadarshan, there is no clarity yet on who will helm the sequel. Apart from the three leads, Bhagam Bhag also starred Lara Dutta, Rajpal Yadav, Jackie Shroff, Arbaaz Khan, Shakti Kapoor, Manoj Joshi, Razak Khan, Sharat Saxena and Asrani. The film tells the story of a theatre group which travels to London for a show only to be accused of a murder they did not commit, while mistakenly becoming the enemies of a drug dealer and a gang.
22 November,2024 07:07 PM IST | Mumbai | mid-day online correspondentMusic composer AR Rahman had everyone in shock as he and his wife Saira Banu announced their divorce, bringing their 29-year-old marriage to an end. The Mozart of Madras and his better half married in 1995 and share three children--Khatija, Raheema, and Ameen. The music maestro's divorce news was followed by the news of his bassist Mohini Dey's separation from her husband. Many speculated that the two announcements were connected which led to several theories and rumours. AR Rahman's son reacts to rumours of divorce being connected to Mohini Dey Mohini Dey, a renowned bass player from Kolkata and a member of Gaan Bangla's Wind of Change, announced her split from her musician husband, Mark Hartsuch, via a joint Instagram post. Amid rumours of Rahman's' divorce and connection with Mohini Dey announcing her separation, the music composer's son has come to his father's defense. AR Rameen, took to his Instagram stories urging people to not engage in false and baseless rumours. "My father is a legend, not just for is incredible contributions, but for the values, respect, and love he has earned over the years. It's disheartening to see false and baseless rumours being spread. Let us all remember the importance of truth and respect when speaking about someone's life and legacy. Please refrain from engaging in or spreading such misinformation. Let's honor and preserve his dignity and the incredible impact he has had on all of us. " Why are AR Rahman and his wife divorcing? Rahman and Saira have attributed their separation to "significant emotional strain" in their relationship. Lawyer Vandana Shah, in a podcast, has talked about reasons why celebrity couples opt for divorce. She mentioned that in Bollywood, it’s usually not infidelity that causes separations, but rather boredom. According to her, celebrities often go through multiple marriages, quickly moving from one relationship to another. While one-night stands are quite common, the real problem is the monotony that leads to relationship failures. Vandana stated, “Their lives are very different. I do not think infidelity is the reason for the failure of their marriages in Bollywood. The cause is boredom. They move from one marriage to another because of boredom, which is peculiar to Bollywood and super-rich families.” She pointed out that this pattern isn’t something she sees in many other types of marriages. She added, “They all live very different sexual lives. The expectations of their sex life is much higher in these setups than a non-Bollywood marriage.” She further explained, “Third, adultery happens very much and one-night stands don’t really matter as much. I am not part of Bollywood, but these are my observations from the cases that have come to me.”
22 November,2024 06:39 PM IST | Mumbai | mid-day online correspondentActor Randeep Hooda is currently working on a couple of exciting projects. In an interview with ANI on the sidelines of the ongoing Randeep gave a brief detail about his action film as a writer. View this post on Instagram A post shared by Press Information Bureau India (@pibindia) " Directing Swatantrya Veer Savarkar was quite challenging....worked extremely hard on it....However, currently, I am now focused on doing films as an actor only for a while...Working on two or three films as an actor...I am also writing an action film," he shared. While Randeep did not provide a lot of information about the film, the update was enough to make his fans excited. Meanwhile, Randeep is quite happy about getting a chance to showcase his directorial 'Swatantrya Veer Savarkar' in the Indian Panorama at the IFFI. "I am proud of his film.... and it feels extremely special to attend this festival first time as a director. Making this film was a rebellious and challenging step but it was an important one. I made this film for the youth of our country to tell them the story of Swatantrya Veer Savarkar," he added. Actor Ankita Lokhande was also featured in the movie as the wife of Veer Savarkar. Speaking with ANI at IFFI, she said, "It was a great experience working in the film..." The film encapsulates the journey and struggles of Freedom Fighter Swatantrya Veer Savarkar for India's independence. It was released on March 22. Vinayak Damodar Savarkar was born on May 28, 1883, in Bhagur.In 1911, Savarkar was sentenced to 50 years in the cellular jail of Andamans, also known as Kala Pani, for revolting against the Morley-Minto reforms (Indian Councils Act 1909). This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
22 November,2024 04:54 PM IST | Mumbai | ANIVarun Dhawan, who is basking in the success of 'Citadel: Honey Bunny', took a break from his hectic schedule to treat fans with his latest post. In a post on Instagram on Thursday, the actor shared a stunning shirtless picture of himself, looking dashing with his chiseled physique and bright smile. Flaunting his chiselled body in a shirtless avatar, Varun Dhawan sported a bright smile in the picture. Posing against a picturesque background, the actor looked every bit handsome as he rocked short hair, and a clean shaved look. Along with the picture, the actor added a caption that read, "Vitamin Sea." View this post on Instagram A post shared by VarunDhawan (@varundvn) Meanwhile, talking about 'Citadel: Honey Bunny', the action series, written by Sita R Menon and directed by Raj & DK (Raj Nidimoru and Krishna DK), is the Indian instalment of the global 'Citadel' franchise. Executive produced by the Russo Brothers' AGBO, Citadel and its subsequent action-espionage original series span the globe, exploring the story of spy agency Citadel and its powerful enemy syndicate, Manticore. 'Citadel: Honey Bunny' premiered on Prime Video on November 7. The actor will also be seen in 'Baby John'. Directed by A Kaleeswaran and backed by acclaimed filmmaker Atlee, 'Baby John' will also star Keerthy Suresh, Wamiqa Gabbi, Jackie Shroff and Rajpal Yadav in key roles. The film is produced by Murad Khetani, Priya Atlee and Jyoti Deshpande. 'Baby John' is touted as one of the highly anticipated action entertainers and is set to release in theatres this Christmas December 25, adding to the festive cheer. This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
22 November,2024 04:53 PM IST | Mumbai | ANIADVERTISEMENT
