26 February,2024 11:20 AM IST | Mumbai | Srijanee Majumdar
Yashasvi Jaiswal and Rajat Patidar
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With the tea interval approaching, the sky above, obscured by clouds, began to cloak itself in shadows. India's batting cohort, Yashasvi Jaiswal and Rajat Patidar, found themselves in the throes of a stern assessment, grappling not only with the unanticipated lift off the Ranchi pitch but also contending with the capricious turns the surface generated. Pitch quandaries was not the only problem here, blame it on the line and length of England's Shoaib Bashir, complemented by the field placements his skipper Ben Stokes had in place for the Indians.
The bucolic charm of the pitch, once conducive to stroke play and high scores, seems to have given way to a treacherous terrain where spinners revel, and batsmen find themselves entangled in a web of uncertainty. The nuances of this pitch have surfaced with a vengeance, becoming a turning point in matches and a source of consternation for the likes of Rohit Sharma and Rahul Dravid.
The genesis of this pitch transformation can be attributed to a combination of factors. Over time, the wear and tear on the surface, coupled with climatic conditions peculiar to Ranchi, have conspired to create a pitch that offers prodigious turn from the outset. The once even bounce has transformed into erratic variations, challenging a batter's ability to predict and counter the trajectory of the ball.
Spinners, in particular, have found renewed potency on this pitch, exploiting the sharp turn and variable bounce to confound the batsmen. The guile and craft of spin bowlers like Bashir have been accentuated, making every delivery a potential threat and turning the pitch into a cauldron of spin bowling wizardry.
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For Indian batters, however, accustomed to the conventional subcontinental pitches, the Ranchi turner has emerged as a stern examination of their adaptability and technique. The accustomed footwork and shot selection that might thrive on flatter tracks have become susceptible to the nuances of the unpredictable Ranchi pitch.
Perhaps, the perils of this pitch are not merely confined to the realm of technical challenges, they extend into the psychological domain. Batsmen, traditionally buoyed by the prospect of high scores on Indian pitches, find themselves grappling with a sense of vulnerability as the surface compels them to confront the demons of doubt and uncertainty. The narrative of recent matches here echoes the struggles of Indian batters against the turner menace. Once dominant at home, the team is trying its best to fight their struggles in their own backyard. Scores that were once considered par for the course now assume monumental significance, and even the most celebrated Indian batsmen are not immune to the vagaries of the Ranchi pitch.
The turner menace in Ranchi has also sparked debates about the balance between bat and ball in modern cricket. While traditionalists celebrate the revival of spin bowling as an art, critics question the suitability of pitches that seemingly tilt the scales too heavily in favour of the bowlers, disrupting the equilibrium that is integral to the essence of the sport. As the Ranchi surface continues to confound and challenge, it becomes a crucible where the resilience and adaptability of Indian batters are tested. The ability to decode the mysteries of the turner and respond with skill and fortitude becomes a defining factor in their performances.
Once a placid canvas for batters to paint their masterpieces, former India skipper MS Dhoni's homeground Ranchi has come to be best known as a surface that unleashes its menace reverberating through cricketing corridors. The turner menace here is not just a subplot in the larger cricketing narrative, as Sharma or Dravid would agree, but a dynamic force that shapes matches, tests character, and underscores the perpetual dance between bat and ball in the ever-evolving drama of Test cricket. Who will prevail? The pitch knows better.
The views expressed here are the author's personal views, and do not represent the views of Mid-Day.