He’s still got the pluck

In songs such as Little pretty, Vai delves into his funkier style as he explores the world of melting jazz drums and slap bass

After a six-year hiatus, this Steve Vai release reminds the world of his genius. Unlike his previous release which has vocal turns, Inviolate focuses entirely on guitar-playing and composition. This album explores various aspects of the 61-year-old's adventurous skills with the guitar while keeping in mind the structure of his compositions.

There is a blend of experimentation where he steps out of his comfort zone with songs like Candlepower and Avalancha. The opening explosion, Teeth of Hydra, is reminiscent of Vai's penchant for the dramatic. This nine-track, 45-minute romp makes sure that the listeners are swept in a journey of melodic ebbs and flows. The efficient and innovative use of his much-admired finger-picking is a treat to fans of his sound. He successfully meanders through jazz-infused grooves, Latin-inspired beats and syncopated rhythms and bass motifs. There are certain aspects to this album that only hardcore guitar luddites and music theory aficionados would understand.

In songs such as Little pretty, Vai delves into his funkier style as he explores the world of melting jazz drums and slap bass. His innovative approach resonates through the album and in many ways, establishes his stamp as a legit icon of the industry. The album has its damp moments where some songs have been dragged out of proportion. The genius of Vai's compositions however, prevails in the overall picture.

It may be true that Vai isn't a traditional choice for a lazy listen. It is an inspired attempt at innovation, the joy of creation and a tribute to the evergreen miracle that is Vai and his guitar.

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