Ravie Dubey
TV heartthrob Ravie Dubey has just hit a home run in the world of acting, and it's making waves all around. He has officially nailed the world's longest monologue in a whopping 28-minute sequence for his upcoming courtroom drama, 'Lakhan Leela Bhargav.'
What's got everyone buzzing even more? The whole scene was shot in a single take with just one camera. Ravie opened up about this exhilarating experience by saying, "As an actor, I feel it's our constant responsibility to push the envelope and deliver new, unique and interesting content to the audience. It's our responsibility to attempt what's not been done to the best of our ability. This 28-minute single shot monologue was one such opportunity that I got very excited about. We realised we have a winner at hand that can set a precedent (sic.)"
But wait, there's more! Ravie spilled the beans about how the show's courtroom backdrop was the perfect playground for this remarkable feat. "We worked on the script overnight on the sets post our shift and immediately shot it the next day in a single take. Being a courtroom drama the setting lent us an opportunity to attempt something like this, I am happy to report it went wonderfully well and we can safely say that this is among the longest single shot monologues in the world. This sequence adds a certain gravitas that not only elevates the impact of the show but also creates a valuable asset that we all will cherish for our lifetime..(sic.)"
Set in the enchanting city of Lucknow, 'Lakhan Leela Bhargav' spins a compelling tale around the journey of a lawyer, essayed by none other than Ravie Dubey himself. In a bid to make his mother proud and carve a niche for himself, the character of Lakhan navigates through life's twists and turns. Born to the city's most renowned lawyer, he's on a mission to claim his place in society, despite the obstacles that come his way.
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The anticipation for Lakhan Leela Bhargav has shot through the roof as we all eagerly await to catch a glimpse of this game-changing feat on-screen.
